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High Budget Sleaze

Now I see in Blonde the seed of the next six or seven years in American pop culture. The austere, bland, and politically correct atmosphere that ruled the 2010s was fading, its reign was extended a bit by the coronavirus pandemic. Blonde is not an objectionable film because its director doesn’t like, or possibly even understand Marilyn Monroe movies. It may be a bad film, but it becomes more and more interesting with time.

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The post High Budget Sleaze appeared first on CounterPunch.org.

Now I see in Blonde the seed of the next six or seven years in American pop culture. The austere, bland, and politically correct atmosphere that ruled the 2010s was fading, its reign was extended a bit by the coronavirus pandemic. Blonde is not an objectionable film because its director doesn’t like, or possibly even understand Marilyn Monroe movies. It may be a bad film, but it becomes more and more interesting with time.
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The post High Budget Sleaze appeared first on CounterPunch.org.


This content originally appeared on CounterPunch.org and was authored by Nicky Otis Smith.


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