A newspaper clipping glimpsed in a new documentary is headlined “New Mexico’s Infant Mortality Highest in U.S., Report Says.” Lois Lipman’s film explains why that rate is so high for babies, as well as for others, especially Indigenous and Hispanic inhabitants, in her gripping First We Bombed in New Mexico. Onscreen Tina Cordova, born and raised at Tularosa, only 30 miles from the Trinity Site, declares: “We are the first victims of the atomic bomb.” While the title of Lipman’s gripping 95-minute chronicle may be derived from Joseph Heller’s 1967 satirical antiwar play We Bombed in New Haven, this new production, which won jury and audience awards at the Santa Fe International Film Festival, is in the tradition of anti-nuclear bomb nonfiction classics such as 1982’s The Atomic Café, Judy Irving/Chris Beaver’s 1982 Dark Circle, Jim Heddle’s 1984 Strategic Trust: The Making of Nuclear Free Palau, Dennis O’Rourke’s 1986 Half Life, and Robert Stone’s 1988 Oscar-nominated Radio Bikini.
The post Los Alamos, Mon Amour: Gone with the Downwind appeared first on CounterPunch.org.
This content originally appeared on CounterPunch.org and was authored by Ed Rampell.
Ed Rampell | Radio Free (2024-01-21T06:55:28+00:00) Los Alamos, Mon Amour: Gone with the Downwind. Retrieved from https://www.radiofree.org/2024/01/21/los-alamos-mon-amour-gone-with-the-downwind/
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